FM Synthese

FM Synthesis I

In the traditional acoustic musical instruments, sound is generated by means of a vibrating mechanism. Overall we can distinguish two diferent ways. Firstly resonators, such as strings, stretched sheets and rods, which ...

FM synthesis II

A quick and easy 'summation trick' Experiment 1 We choose the simple FM algorithm ('Voice Initialize') and set the carrier frequency to ratio 2 and the modulator frequency to ratio 7. We set the modulator output level ...

FM Synthese III

The most simple form of complex FM is an operator configuration with multiple carriers modulated by only one modulator. The resulting spectrum we will find simply by applying the known formula for every carrier and ...

FM Synthese IV

The following two c : m ratios generate the same sideband frequencies: c : m = 1 : 2 en c : m = 1 : 4 We now compare the two spectra. Assume the number of sidebands at six. c : m = 1 : 2 | c ± nm | upper side bands: ...

FM synthesis V

Subaudio carrier, carrier 0Hz/wave shaping and audio signals as carrier and modulator. Phase modulation vs linear frequency modulation. In Yamaha's FM implementation actually phase modulation is applied. This means ...

FM Synthesis VI

FM Synthesis VI, a virtual carillon bell. An addition of multiple sets 'simple FM' offers the greatest freedom to design the overtones in a sound. We are going to discover this on the basis of a sound simulation of a ...